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Holland & Dozier were 3 of the major songwriting engines of the unforgettable Motown Sound. No urban summer would have a fraction of the vibe without the Motown Sixties soundtrack. And The Supremes reigned supreme for many of those years, with Diana Ross's mysteriously tender vocals in everyone's ears. This song is one of the most intense of breakup songs, with a rising tide of emotion toward the end that is unparallelled in pop music of that era. We went with the pounding near-hysteria that the original conjures, with bass virtuoso Ethan Jodziewicz duplicating James Jamerson's original byzantine electric bass line on the big acoustic... and who can conjure hysteria better than Greg Lizst on the 5-string banjo? Re-imagined as a phone message in response to an inaccessible not-quite-Ex, Emy's vocal showcases her extensive theatrical background.

lyrics

Why don't you be a man about it, and set me free? You don't care a thing about me, you're just usin' me! Get out, get out, get out of my life , and let me sleep at night! 'Cause you don't really love me... you just keep me hangin' on.

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darol anger Nashville, Tennessee

Darol Anger has helped drive the evolution of contemporary violin through pathbreaking ensembles such as his Republic Of Strings, the Turtle Island String Quartet, the David Grisman Quintet, Montreux, Psychograss, and others. Composing, teaching, and performing internationally since 1977, he has produced numerous important recordings and soundtracks. ... more

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